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Mia Hansford

Writing

Mulberry and Mott

Mia Hansford

You ask me why I want to stop here but I didn’t say because that truck is dropping a load of steel through a graffitied plywood door and that’s the sound of a city turning corners. Didn’t say because this bench s...
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Poem

Veil

Mia Hansford

Veil In a little while I’ll let go of your hand but for now I’ll rest it in the flashing blue-night dark, in the lights cross the water and along the bridge’s quiet: leather, radio, a nervous handler opening ...
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Previously, on Sensitive Skin!
John Ashbery
John Ashbery – an Oblique Remembrance
Mia Hansford
I was introduced to John Ashbery's poetry in the summer of 1971, by a beautiful young American poet living in London. We met at a church jumble sale in Belsize Square. Her flat was...
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Photograph by Hal Hirshorn
Photographs
Mia Hansford
Hal Hirshorn makes 21st century photographs using 19th century materials and methods. Specifically, salt prints, a technique invented by William Henry Fox Talbot in 1841. The i...
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New Paintings – Stephen Lack
Mia Hansford
Expressionist, impressionist, symbolist. Pop imbued with guilt, political outrage, occasional indignation, existential disconnection and an overriding sense of loss. These works ce...
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Whenmill by Ryan Choi
Three Dancers and Whenmill
Recordings by Ryan Choi
Mia Hansford
Three Dancers is the debut release from composer Ryan Choi. The album derives its title from Pablo Picasso’s painting, Les Trois Danseuses, and features three intensely kinet...
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Flying, photograph by Holly Van Voast
Blue Portrait
Mia Hansford
Matt was a blind date, the only one I ever went on. He was an acquaintance of a girl who had the locker next to mine senior year. She thought I’d like him because he was an artis...
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