The Unloaded Camera Snapshots were initiated as a response to the condition that occurs when we’ve lived somewhere for a while; live anywhere long enough & we begin to show signs of sensory overload. In order to survive we learn to ignore, deaden our senses to become “inured to the ravages” so that we “scarcely notice anymore” [Flora Lewis]. This jadedness lets us believe we’re outwitting our environment.
In order to reinvent everyday life, plantenga applied a strategy of documenting the “snapshots” of daily life in Paris. He wrote down one incident or observation per day for a year, which resulted in the companion book to this one, PARIS SCRATCH. This continued upon his return to NYC & then, with AM✫STAR✫DAM, recommenced when he moved to Amsterdam.
This second book features 365 zen blinks, pop flashes, heated moments, & satori-sloshed sidewalk haikus that re-pollinate existence with the fecund details of the quotidian.
A.E. Housman once observed: “Having drunk a pint of beer at luncheon, I would go out for a walk. As I went along, there would flow into my mind, with sudden & unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza.”
“Evokes a similar magic to Baudelaire’s Paris and Kafka’s Prague.
NY Sin Phoney is not only well worth the price, it’s a steal.”
—Mark McCawley, editor of Urban Grafitti
“Look carefully at these written snapshots to see what lurks below the surface & don’t be surprised if you feel a bit self-conscious, frightened, even nauseous at times.”
—steve dalachinsky, PEN Award author of The Final Nite & Other Poems
black and white | 6" x 9" | 150 pgs. | 978-0-9961570-5-6 | $15.95 | release date: January, 2017
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