Guns and Ohm
Don Rock
This is a scan of the rear cover of Sensitive Skin #2, from the summer of 1994, by Don Rock. We'll be publishing PDF versions of the original magazine in the near future.
Click the image to see the full-sized version - yo...
Coming of Age by Samoa
Samoa Moriki
Samoa's paintings, a series of celebrated images and complex associations which (inadvertantly?) postulate the existence of a general science of hermaneutics, form the contents of ritual, convention and public entertai...
Witness, 1992
Tom McGlynn
Witness, an insert from the original print version of Sensitive Skin, from 1992, by Tom McGlynn. Witness, Tom McGlynn
Paintings of Don Van Vliet
Don Van Vliet
Don Van Vliet, more widely known by his pseudonym Captain Beefheart, retired from music in 1982 and devoted his life to painting. Asked why he didn't go to his own openings, he said "If I'm somewhere else, I'd rather be ...
Photographs
Hal Hirshorn
Hal Hirshorn makes 21st century photographs using 19th century materials and methods. Specifically, salt prints, a technique invented by William Henry Fox Talbot in 1841. The intention however is not to recreate period f...
Ted Barron – Photographs
Ted Barron
A thief of the imagination, Ted Barron takes the photographs that we have in our heads. He came to NYC from St. Louis, a teenage East Village Tom Sawyer with a movie already lived that he made up in his head and began c...
Balloons, Beads
John Farris
“What you gonna be when you blow up? I bet you gonna be a balloon…kee kee kee!” That was Willie T’s salutation these days -- delivered with an eye-rolling guffaw registering satisfaction with his cho...
New Work – Al Kresch
Al Kresch
Al Kresch has been dealing with the same motifs for at least 40 years. The earlier paintings that I have seen, not unlike the best work of Derain and Marquet, show him reacting not only to the largest forming and emotion...
Justine Frischmann – New Work
Justine Frischmann
Justine Frischmann employs the Low-Fi materials of a suburban hardware store to dig through the ash and rubble of Modernism. Her methodical self‐canceling is depicted with vandalism, improvised geometrical methods, and...
