Max Sees Red by Martha King – Review

Jim Feast

Martha King, Max Sees Red (New York: Spuyten Duvvil, 2019) One of the greatest mysteries of Martha King’s brilliant new novel Max Sees Red does not appear in the narrative itself but in the author’s bio at the end. It reads, “Martha King has never lived in the Hudson Valley or in Soho where this story takes place.” The mystery is that this story, set in those two locales in 1978, paints such a vivid and detailed portrait, one with the ring of authenticity, so that until hitting this end note the reader thinks the author is using materials drawn from her own life. For instance, look at this this sharply etched description of the changing face of Hudson Valley: As Max turned the car from the parkway … he noticed the contrast between the first two houses [he saw]. The nearest … was roofed with rusted tin. Its wooden sides were faced with odd sections of black tar paper, and shiny greenish vinyl. .. The next ho...
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COLLECTED POEMS OF BOB KAUFMAN – review

Marc Olmsted

COLLECTED POEMS OF BOB KAUFMAN edited by Neeli Cherkovski, Raymond Foye and Tate Swindell City Lights Books $19.95 The surrealism of Bob Kaufman is a true American surrealism, because Kaufman brings the blues, jazz and being a black man in the United States to his subconscious visions. He still remains, in my estimation, America's unequaled surrealist. Just as Beat's other most famous black poet, Amiri Baraka, spawned the Last Poets and the eventual rise of rap, Kaufman's influence is not only present today in Will Alexander and transmale Blackfoot poet Max Wolf Valerio, but in Bob Dylan. It was Amiri Baraka himself who coined the term Afrosurreal Expressionism in 1974 to discussing the work of Henry Dumas, and was later expanded in the Afrosurreal Manifesto by D. Scott Miller. Afrosurrealism is now considered a very active movement, with a wide pantheon that now considers Ted Joans and Samuel R. Delany among its members. ...
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