Review
TRIPPING WITH A VIPER – by Anne Marie Maxwell – review
Marc Olmsted
Tripping with a Viper
By Anne Marie Maxwell
Mystic Boxing Commission
$29.99
available at: www.sparringartists.com
Reviewed by Marc Olmsted
Much has evolved around Neal’s long lost Joan Anderson letter as the key to Jack Kerouac’s spontaneous bop prosody. Rediscovered, the big surprise is that it has nothing to do with Kerouac’s streamlined stream-of-consciousness experimental prose. Instead, it moved Jack into writing first person and about actual events with the mad energy of the multiple pages Neal had produced with blazing enthusiasm.
Tripping with a Viper fills in some first-person Beat history that explains some more of the legend that is Neal Cassady. The viper of the title is actually also a “pot-head” as referenced in the song “When You’re a Viper,” written by Stuff Smith and first recorded by Rosetta Howard. Still, the ambiguity of this title can’t be merely shaken off. Anne Mar...
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Review
Between Good Men & No Man at All – poetry by Pam Ward – Review
Marc Olmsted
Between Good Men & No Man at All
By Pam Ward
World Stage Press
$20.00
Poet Richard Modiano first brought Pam Ward to my attention by telling me she was writing the introduction to his poetic collection, The Forbidden Lunchbox. I didn’t know her work, so he read her to me over the phone. I was instantly hooked by her images, candor and the gallows humor known only to those the System does not favor.
Still, as an old white man and apparently retro Post-Beat poet, I would not have had the temerity to review her new work Between Good Men & No Man at All, but I was asked, so here we are.
I already knew we weren’t going to get homogenized Hamilton rap or highbrow slam’s rhyming editorial language (i.e. non-imagistic). Instead I was surprised to be reminded of stumbling into an L.A. skid row grind house for the last half of Sweet Sweetback’s Bad Ass Song. Plus, like all grind house double- and triple-bills, t...
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Review
THE FORBIDDEN LUNCHBOX by Richard Modiano – REVIEW
Marc Olmsted
THE FORBIDDEN LUNCHBOX
By Richard Modiano
Punk Hostage Press
$20.00
(Available on Amazon)
How can I review a book that reviews itself so elegantly in Richard Modiano’s own preface and Pam Ward’s introduction? Then there are remarks by Viggo Mortenson and Ronne Blakely. The list goes on. THE FORBIDDEN LUNCHBOX is, unsurprisingly, a very good, even great book. It is also Richard’s first, at age 71. Not even a prior chapbook of his own, ladies and gentlemen.
What took him so long?
The answer may be found first in his recent 10 years as Executive Director of Beyond Baroque, the Venice Beach, California literary center equivalent of NYC’s Poetry Project at St. Mark's Church in-the-Bowery. Like any true Platonic philosopher-king, he did not ask for it, let alone want it. Like the Roman Empire’s Marcus Aurelius, he ran BB with wisdom, dignity and humbleness. Alec Guinness played Marcus Aurelius in Anthony Ma...
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Review
HIGH WHITE NOTES—The Rise and Fall of Gonzo Journalism—Review
Marc Olmsted
HIGH WHITE NOTES
The Rise and Fall of Gonzo Journalism
By David S. Wills
Beatdom Books
$17.99
High White Notes takes a phrase from F. Scott Fitzgerald that was of prime importance to Hunter S. Thompson (or any serious writer) - being in the zone while creating. It is of course important to all artists to be in that zone, and thus David Wills uses Thompson’s writing exclusively (rather than a more conventional biography) to get to the man and his self-created myth, one far more invented than I previously realized.
Most of us enthusiastic about Thompson agree that Hell’s Angels, Fear & Loathing in Las Vegas, and Fear & Loathing on the Campaign Trail ’72 are his “high white notes” - and anyone attempting to follow and understand him can see that there is a deterioration in his work from that point - relatively slow enough to entice us back momentarily (I used to regularly pick up the San Francisco Examiner ju...
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Essay
ALLEN GINSBERG, BUDDHA’S FOOTPRINT, AND THREE FISH WITH ONE HEAD
Marc Olmsted
If you've read Allen Ginsberg, you probably know the image - three fish, one head as a sort of triangular Illuminati eye. Allen saw it in Bodhgaya in 1962, carved into a representation of Buddha's footprint, itself huge and...
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Story
Darth Trip
Marc Olmsted
“New York is a head without a body. California is a body without a head.” - Vincent Zangrillo
“You sound like a cowboy, only intelligent.” - Vinny’s friend to me
Return of the Jedi wasn’t really any go...
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Review
TAXI NIGHT — Poetry by Cliff Fyman — Review
Marc Olmsted
TAXI NIGHT
Poetry by Cliff Fyman
Long News Books
$15.00
I connected with Cliff Fyman some years after his association with Naropa University (then Institute) and its 1977 Summer Writing Program - a heyday-hosting of teachers like William Burroughs, Anne Waldman, Allen Ginsberg, Gregory Corso and Chogyam Trungpa Rinpoche. I met him through then-fellow student writers Peter Marti and Vincent Zangrillo.
Although late in the book, there is this poetic statement from Fyman, and it sums up his view:
I see every object alive
and luminous
and at the same time I
see the decay and death
inherent in it’s very shining.
Cliff Fyman is essentially influenced by William Carlos Williams and his school of Objectvism, something Allen Ginsberg returned full circle to in his teaching at Naropa. Cliff learned to sit in the Buddhist style of “calm abiding,” shamatha. Add to that - he is also a vegetarian as we...
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Review
IN THE REBEL CAFE: Interviews with Ed Sanders – Review
Marc Olmsted
IN THE REBEL CAFE
Interviews with Ed Sanders
edited by Jennie Skerl
Clemson University Press
$120.00
Jennie Skerl has put together a magnificent intro/crash course to Ed Sanders, "second generation" Beat. Sanders, to many of us, needs no introduction, but he is not the household name that many of the "first generation" are.
Further complexity involving appreciation of Sanders is how many angles one can know him from. Many are more aware of his band The Fugs. Perhaps one read The Family in one of its revisions, Sanders' journalistic exploration of Charles Manson, (and among the absolute best of the true crime genre). Finally, one may know him poetically, and in particular, through his "investigative poetics" - journalistic, historical, data-collecting poetics, a refinement and extension of the political "list" poetry of Allen Ginsberg such as "CIA Dope Calypso," which arguably has its own musical influence from Th...
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Review
RAY BY RAY: A Daughter’s Take on the Legend of Nicholas Ray – Review
Marc Olmsted
RAY BY RAY: A Daughter's Take on the Legend of Nicholas Ray
by Nicca Ray
Three Rooms Press
$20.00
If you really want to know about Nick Ray's films, track down Nicholas Ray: An American Journey by Bernard Eisenschitz, ...
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Poem
HULK SMASH
Marc Olmsted
the Hulk is my yidam my chosen anger deity
Marvel comicbook Avenger
blazing in apocalyptic fire
grunting wrathful 4-letter mantras
demolishing years of therapy
concepts of Buddhist attainment
& mastered sobriety
Green...
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Readings
Sensitive Skin Beer Virus Reading #3
The Editors
On April 9, 2020, we had another terrific show via Zoom, featuring readings by:
- Puma Perl (NYC)
- Larissa Shmailo (NYC)
- Marc Olmsted (Portland, OR) and
- Joshua Mohr (San Francisco)
Vinnie Zangrillo (Strong Isla...
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Review
SOUTH AMERICAN JOURNALS January – July 1960 by Allen Ginsberg – review
Marc Olmsted
SOUTH AMERICAN JOURNALS
January - July 1960
by Allen Ginsberg
edited by Michael Schumacher
University of Minnesota Press
$29.95
First, I was immediately struck by how much unpublished poetry or early drafts (such as "Aether" and "Magic Psalm") are contained in this volume - far beyond any previous journal publications of Allen Ginsberg. In fact, he mostly wrote his journal as poetry during this period. Granted much is not A-list material, as Allen correctly understood in not publishing a lot of it. But for earnest scholars and fans, it is a gold mine. There are also amazing little notations of events, such as seeing Montgomery Clift's "Raintree County" ("he too looks sad" - in fact, Monty's face-rearranging car crash occurred in the middle of filming that picture). Likewise a long dream about Marlon Brando, who imitates Jack Kerouac's voice at one point(!) and includes a dream discussion of how great Orson Welles' Magn...
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Podcasts
S02E03 – Sensitive Skin Live At San Francisco LitCrawl
Bernard Meisler
Sensitive Skin live at LitCrawl, recorded at the Valencia Room, San Francisco.
Instead of the usual conversation, why not give a listen to last week's Sensitive Skin reading at LitCrawl, live from San Francisco? Reade...
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Review
ON VALENCIA STREET – Jack Micheline – Review
Marc Olmsted
ON VALENCIA STREET
Jack Micheline
Edited by Tate Swindell
Introduction by Eric Mingus
Lithic Press
$20.00
Jack Micheline is not so much an unsung but undersung member of the Beat Generation, a fixture on the San Fra...
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Review
The Criminal: The Invisibility of Parallel Forces by Max Wolf Valerio – Review
Marc Olmsted
The Criminal: The Invisibility of Parallel Forces
by Max Wolf Valerio
Eoagh Books, $20.00
Reviewed By Marc Olmsted
MAX WOLF VALERIO said, “Before I transitioned, I was 19 and showed Allen Ginsberg a poem of mine ...
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