Sensitive Skin Magazine - Page 53 of 58 - art, stories, poetry, essays, reviews and music

The Bucket O’ Crabs

Jill Rapaport

I was scrunched up tight against Mike and Elvin; we made a gaping trinity off the noses of which Esmee purveyed her shining but misguided Wagnerian fantasies. Her father, like the fathers of more socially assured characters,...

Guns and Ohm

Don Rock

This is a scan of the rear cover of Sensitive Skin #2, from the summer of 1994, by Don Rock. We'll be publishing PDF versions of the original magazine in the near future. Click the image to see the full-sized version - yo...

The Collector

Ron Kolm

I’m a collector. I hunt down runs of literary magazines and signed first editions of tricky prose, and place them in university library archives. I collect comic books and the Jokers from decks of playing cards. I also ...

Rear Window 1, 2 & 3

steve dalachinsky

rear window 1 she’s in her underwear she’s fixing the curtain she just took a shower she’s vacuuming the house she’s talking on the phone finally that stool is occupied she smokes with her left hand while d...

Dan Becker – compositions

Dan Becker

Dan Becker likes to compose music (current commissions include a work for Kronos), study music (he received his DMA from Yale), teach music (by way of the SF Conservatory of Music), organize music (as founder of the Common S...

Rabbit and Crow

Norman Douglas

Rabbit and Crow watched as the sun came round over the field. "Did you sleep well?" Rabbit asked Crow. “I dreamed that I was running through the meadow,” said Crow. “Ah,” said Rabbit. Rabbit and Crow set ...

Rose and other poems

Lyn Lifshin

ROSE when it’s behind my knees you’d have to fall to the floor, lower your whole body like horses in a field to smell it. White Rose, Bulgarian rose. I think of sheets I’ve left my scent in as if to stake a c...

Eat Me

Jóhanna Ellen

Jóhanna Ellen is an Icelandic artist working with video, performance and installation who is living in Oslo, Norway. "Eat Me"(2010) is a part of series of videos that deal with the artist's memories of passive and submissiv...

Timber, Released and Unreleased

Bernard Meisler

I ran into Jenny Wade on Avenue A, summer of 1993 I believe it was. Asked her where she was going, she said she was playing a gig at the Knitting Factory, so I asked if I could come along. She said nah, you won't like it, it...

when the lights go out in Mojácar

Wanda Phipps

someone said “everyone who has power is smiling” or was it “everyone who has electricity is smiling or “everyone smiling has electricity” definitely not “everyone smiling has powerful electricity” or “eve...

Somerville

Melissa Febos

An excerpt from "The Savage Library" I just knew that Somerville would be the kind of neighborhood to go all out at Christmas. I was right. Winter Hill in particular was an orgy of blinking lights and glowing plastic fig...

Manic Mode

Jonathan Shaw

An excerpt from "Narcisa" “The sick woman especially: no one surpasses her in refinements for ruling, oppressing, tyrannizing.” -- Nietzsche Carnaval was over. Weeks went by. The city of Rio de Janeiro was slowly goi...

Coming of Age by Samoa

Samoa Moriki

Samoa's paintings, a series of celebrated images and complex associations which (inadvertantly?) postulate the existence of a general science of hermaneutics, form the contents of ritual, convention and public entertai...

Blue Portrait

Jennifer Adams

Matt was a blind date, the only one I ever went on. He was an acquaintance of a girl who had the locker next to mine senior year. She thought I’d like him because he was an artist and was sort of in a band. He played bass....

Knot Frum Hear

D. Scot Miller

My face is cold. A salty breeze numbing my cheeks. I have the black book in my lap, and a pen in my hand. Sunlight casts through black water, a murky aquamarine spreading its roots towards the edge of my boat. I’m awak...