Review
TAXI NIGHT — Poetry by Cliff Fyman — Review
Marc Olmsted
TAXI NIGHT
Poetry by Cliff Fyman
Long News Books
$15.00
I connected with Cliff Fyman some years after his association with Naropa University (then Institute) and its 1977 Summer Writing Program - a heyday-hosting of teachers like William Burroughs, Anne Waldman, Allen Ginsberg, Gregory Corso and Chogyam Trungpa Rinpoche. I met him through then-fellow student writers Peter Marti and Vincent Zangrillo.
Although late in the book, there is this poetic statement from Fyman, and it sums up his view:
I see every object alive
and luminous
and at the same time I
see the decay and death
inherent in it’s very shining.
Cliff Fyman is essentially influenced by William Carlos Williams and his school of Objectvism, something Allen Ginsberg returned full circle to in his teaching at Naropa. Cliff learned to sit in the Buddhist style of “calm abiding,” shamatha. Add to that - he is also a vegetarian as we...
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Poem
At the Chelsea and 2 more poems
Linda Kleinbub
At the Chelsea
The cover band plays Blurred Lines
beer is cold
skin is tan
far away, my mind writes our story
I’m Nancy Spungen
we grunge around rat-infested subway cars
from CBGB to The Bitter End
we room at T...
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Poem
Three new poems by Yuko Otomo
Yuko Otomo
Albers and Morandi: Never Finished
1. seeing
I prefer to see with the closed eyes.
- j. a.
To achieve understanding, it is necessary not to see many things,
but to look ...
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Review
List Full: List Poems of Necessary Orderliness – Review
Jim Feast
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Story
Autobiography
Ron Riekki
I joined the Air Force to get money for a film that was shooting in Los Angeles. I had already been in the U.S. Marines and am the only Marine in the history of the Marines to hate the Marines. Or to be brave enough to say...
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Story
Sugar Foot
David Simmons
Chauncey liked to freebase smack with the foil positioned so that the shiny side was up. What he hoped to gain from this was self-induced Alzheimer’s. It came from burning the aluminum.
Chauncey said, “I don’t wanna...
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Poem
228
Don Yorty
A homeless woman with her legs spread on
a park bench looks ready to shit. Good God
she is pulling her pants down with paper
towels about to do it. Vacationing
anarchists are camped out by the water
fountain. It is hot...
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Poem
Pale House
William Considine
You cannot and should not enter The House of the Inquisitor.
Its pale stone frontage with carved floral ornaments is locked
And uninviting. It was built in 1780 - so late! - when this town
Was larger than any in your c...
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Story
Dahmer, Dolphy & Me
Daniel A. Brown
“Yet man is born unto trouble, as the sparks fly upward.”
– Job (5:7)
I had never killed or cannibalized a woman but I did fear that I might be turning into a serial killer.This was 1992, a few years after Ted Bun...
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Review
The Brothers Silver: A Poet’s Novel – Review
Sparrow
The Brothers Silver: A Poet’s Novel
by Marc Jampole
Poets write novels invertedly; the language comes first, then the plot ‒ if there even is a plot. In his Acknowledgments, Marc Jampole mentions a number of poems that have been transformed into prose in The Brothers Silver. My favorite poet-novels are by Beat luminary-turned-Zen Buddhist monk Philip Whalen: Imaginary Speeches for a Brazen Head and You Didn’t Even Try. Both are gentle, sad, inconclusive portraits of San Francisco in the mid-1960s. The writing is deceptively simple, but there is a poet’s languor; a sense of the narrator watching patiently, from a great distance. Jampole writes tempestuously, with rising and flipping wordplay:
Desire to play Oberon in the school play claws at me. This hunger doesn’t rest, to say out loud in front of everyone, “At a fair vestal thronèd by the west….” To a mirror twin, I exclaim my lines for hours. Audition day I ...
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Poem
Two Poems by Andrey Filimonov, translated by Anton Yakovlev
Andrey Filimonov
These poems were written in the mid-2010s in Siberia, in the ancient city of Tomsk, where it's not such an easy task to fix a Mac. In fact, repairs of any kind tend to be a problem. Nineteenth-century houses tilt to the side...
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Poem
Building Muscle
Kelly Cowan
playing
Visit California CD
8 songs -
“get into that unique
California state of mind”
on exercise bike
building muscle
after surgery
Mamas and Papas -
in rhythm
Kool & the Gang -
now I’m moving
w/ cooke...
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Story
Cultivating Pippi Longstocking
Neil Martinson
One warm spring afternoon in 1990 I was walking across the Williamsburg Bridge on my way to Manhattan, as I’d done countless times during my years in Brooklyn. A recent, tumultuous breakup was still fresh in my mind, but I was beginning to feel somewhat liberated, enjoying the freedom of finally living alone, and learning to have fun again. The bridge scene from Pippi On The Run flashed into my mind, and in a split second I knew what I had to do.
In this movie, the heroine Pippi Longstocking’s indomitable approach to life achieves its peak expression, centering around her ability to achieve anything she wants, often by refusing to accept the impossible. The scene in my mind has Pippi and her two friends Tommy and Annika looking down from a bridge at a steam-engine train chugging along the tracks below. Pippi suggests all three of them jump off the bridge onto the roof of the moving train. Uptight Annika begs her not to do it, bu...
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Writing
The Prisoner
James Reich
I remember his gallows thighs. His cock swung like a rope. The camp was weighted with snow and silence, settled with barbed wire, starvation in its planks and silted soup. Among the black beds, in cover of crowding, we fucke...
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Review
(a strange awakening of light that takes the place of dawn) – Poems by Jim Feast — REVIEW
Thaddeus Rutkowski
(a strange awakening of light that takes the place of dawn)
poems by Jim Feast
Autonomedia
$16.29
The subtitle for Jim Feast’s latest poetry collection, “Poems for Lady Bunny: Chicago, 1972–1975,” clues us in to the time and place for these basically metrical, mostly long poems. As Feast explains in his introduction, Lady Bunny was a painter who served as his “muse, mentor and she-devil’s advocate.” This book, then, works as a tribute to and elegy for this artist, who died in 1977. Many of the poems are dated in the early to mid-1970s, when Feast was a young man. The book has an attractive cover painting by R. Brown Lethem.
In the book’s first poem, “For the Painter, Lady Bunny,” Feast describes one of Bunny’s “compositions” and by doing so sets out his aesthetic purpose:
The room draws near to the red beads
of rain on the window. The sun settles
like a rose covered over in snow. Now
...
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